He appears to be having a good time up there — which makes it worse. The Cable Cadaver moves hand-over-hand along a twisted cable, his bony frame lurching with each grip and release across unlimited travel distance.
Sparky has found himself in an electrifying predicament. Strung between two elevated points, he moves hand-over-hand across the cable — each hand gripping and releasing in sequence — as he desperately tries to reach one end or the other. An unusual and instantly memorable motion that guests simply don’t expect.
Same predicament as Sparky, worse outcome. Shorty moves hand-over-hand across the cable just like his friend — except his legs have long since melted off from the high voltage. He continues anyway.
This incredible character can be programmed to move in either direction at variable speeds, simulating a commando on a zip line as he moves back and forth shooting at your guests.
What’s more natural than an ape swinging hand-over-hand across a cable? As you watch him, you’re genuinely not sure if he’s having a great time or worried about the fall. His head moves up and down as he peers at the people staring up at him.
As the old saying goes, sometimes it’s better to leave it to an expert. This guy clearly isn’t one. There’s a short in the electrical system and he’ll soon be eligible for Workers’ Comp.
Witness the madness as this poor soul thrashes about, desperately trying to escape from her straight jacket. Perched on a ledge or balcony above the crowd, her struggling draws guests in — until she unexpectedly falls forward toward them. The combination of head and waist motions, free-swinging arms, and pneumatically-controlled falling creates a scare that no actor can replicate. Ideal for upper-level installations where the fall itself becomes the moment.
Something has gone terribly wrong for Santa. He slipped and is now holding on for dear life — hand over hand across a string of electrified Christmas lights — working his way toward one end or the other to get down.
Designed to startle in a way no actor can. Compact enough for tight overhead spaces, with two mounting options: ceiling-mounted for a downward lunge at guests, or wall-mounted to swing up and over.
The Wolf is built on a rugged aluminum extrusion frame — head moves up and down and side to side, arms have hinged motion at the shoulders and elbows, moving freely within the cage.
Built on the AllScare BodyFrame System using the best available mask, wings, and hands in the industry. A striking overhead or elevated presence for gothic and vampire-themed environments.
The most asked question at AllScare is: why Santa? The BodyFrame System was designed not just to let you swap one Halloween monster for another, but to let you change characters from one season to the next entirely. Santa is the proof of concept.
The evil hag peers into her crystal ball and proceeds to tell you your future — dim as it may be. Motions include both elbows, head up and down with multiple positions, head left and right with multiple positions, and a talking mouth that follows her words of wisdom.
He is dressed to kill — and has clearly been at it long enough to know exactly how to make guests uncomfortable while they wait.
Incredible head and neck motions that move in ways you simply haven’t seen before. LED lights in the eyes and nostrils give the fog a flame-like appearance, without the dangers associated with actual flames.
She’s been at that cauldron for a while now, and she’s not in a mood to be interrupted. This old hag happens to be the most authentic animatronic witch on the market today — and AllScare has given her one of their most elaborate body frame systems to prove it.
A character whose effect comes from anatomy that isn’t working the way it should. Multiple motion axes create movement combinations that don’t resolve the way guests expect — unsettling in the specific way that wrongness always is.
Two for the price of one — and twice the chaos. One zombie attempting to consume another, with both sets of legs kicking and multiple motion axes operating simultaneously.
One zombie trying to eat another — what could be more chaotic? The upper zombie attempts to devour the lower one while both sets of legs are kicking. Zombie arms can be added to either character.
Creepy Composer can be easily programmed to follow the pace of any song. His adjustable arms have movement at both the elbows and shoulders, and his multi-positioning head and waist movements will follow the pace of all types of music.
Where does this nut think he’s going? Dr. Shock tries desperately to get Runaway Patient to come down for his therapy appointment. The results are electrifying. Realistic movements in each character complete the illusion. An optional output activates flashing lights that coordinate with the soundtrack to simulate electrical shocks. Sound system included. A two-character scene that gives guests two things to look at — and neither of them are comforting.
This amazing animatronic works automatically or with a voice actor behind the scenes. Speech Sync matches her mouth motion to the operator’s voice or a pre-recorded soundtrack.
This 8 legged creature is GINORMOUS! He is 17ft. wide in total. All legs move at the body and at the mid-joint positions in each leg, giving him a total of 16 motions.
It takes a certain kind of woman to manage a large green Monster — and Bride of Frankenstein is just that kind of gal. She reprimands Frank on all his failures and limitations, but in the end, who else could possibly tolerate her?
